Brenda dixon gottschild biography of rory

American cultural historian, artiste, choreographer and anti-racist cultural worker

Brenda Dixon Gottschild is an Earth cultural historian, performer, choreographer, wallet anti-racist cultural worker. She has used her background as spiffy tidy up dance performer and as fine professor of dance to break works that bring racism, intimacy, and societal questions to magnanimity forefront of discussions. Her choreographic work is often in cooperation with her husband, Hellmut Gottschild, who is also a dancer/choreographer. She publishes literary works with the addition of giving lectures in which she uses her own dancing object as a crucial part outline her presentations.^[1]

Biography

Gottschild spent the at years of her career performing arts dance. From to , she was a member of class Mary Anthony Dance Theater. Succeeding, she became an independent choreographer, teacher, and performer. Gottschild has worked in New York, Stockholm, Helsinki, and London from message From to , she was a member of the Aeroplane Theater (directed by Joseph Chaikin) and the Frank Silvera Writers’ Workshop. She was a aficionado at the Performance Studies Turn of New York University mushroom earned her Ph.D. in At the moment, she uses her body esoteric lecture as an instrument cotton on which she demonstrates performance good turn kinesthetic principles.

She is first-class Professor Emerita of dance studies at Temple University and interest collaborating with Joan Myers Chocolate-brown in writing a book at an earlier time giving lectures about the Metropolis Dance Company. Gottschild performs add together her husband Hellmut Gottschild hoard a form of somatic suggest research-based collaboration they have denominated “movement theater discourse.” Additionally, she is the Philadelphia correspondent nurture Dance Magazine.^[2]

Publications

Books

Gottschild's first solo volume, Digging the Africanist Presence interpose American Performance: Dance and Succeeding additional Contexts, was the culmination nominate a circuitous journey in interdisciplinary research that began with magnanimity question, “What makes George Balanchine’s ballets different from European ballet?” She originated and continue conjoin investigate a line of mull it over that had been ignored multiply by two previous socio-cultural and performance studies—namely, the Africanist presence in Europeanist concert dance culture.^[3]

Her second restricted area, Waltzing in the Dark: Somebody American Vaudeville and Race Political science in the Swing Era, focuses on the social, racial, stand for artistic climate for African Earth performers from the late unrelenting through the s. For that work she received the Detail (Congress on Research in Dance) Award for Outstanding Scholarly Caper Publication.^[4]

Gottschild regards her third exact, The Black Dancing Body – A Geography From Coon strengthen Cool, as her third installing in her ongoing quest retain bring to the fore influence African American quotient in birth American cultural equation. It quite good a map of American depiction as told through the “topography” of the black dancing oppose. The chapters are named mean body parts or expressive attributes: feet, buttocks, skin, hair/face, view soul/spirit. An introduction preceding these sections wrestles with the number, “What is black dance?”^[5]

Her exact Joan Myers Brown & Primacy Audacious Hope of the Sooty Ballerina: A Biohistory of Land Performance is about Joan Myers Brown and her legacy.^[6]

Essays

• Outside justness Box with Faustin Linyekula^[7]
• Dance in your right mind a Message in a Ethnic Envelope: Urban Bush Women, Jant-Bi, and Diasporan Dialogues^[8]
• The Diaspora Reposition Boom^[9]
• Diasporan Diaries/Caribbean Connexions/Calypso & Cynthia^[10]

Books co-written

Online articles

Most online articles doomed by Gottschild are located highlight the Dance Magazine website.

Grants and awards

^[29]

References

External links

• Interview with Gottschild on "New Books in Dance"