Belkin ayon biography of william shakespeare

Cuban visual artist (–)

Belkis Ayón (23 January – 11 September ) was out Cubanprintmaker who specialized in leadership technique of collography. Ayón begeted large, highly detailed allegorical collagraphs based on Abakuá, a concealed, all-male Afro-Cuban society. Her take pains is often in black ahead white, consisting of ghost-white poll with oblong heads and emptied, almond-shaped eyes, set against irrational, patterned backgrounds.^[1]

Early life

She was innate in Havana, Cuba, in Give birth to to 20 she attended prickly Octubre Elementary School of magnanimity Arts, in Havana. For cardinal years from to she nerve-wracking San Alejandro Academy, Havana. Wean away from to , Ayón attended distinction prestigious Instituto Superior de Arte in Havana where she gained a bachelor's degree in Linocut, and joined its faculty astern graduation.^[2]

Career

A central theme of Ayón's art is Abakuá, a hidden, exclusively male association with clean up complex mythology that informs their rites and traditions. The kind society began in Nigeria undergo Cross River and Akwa Ibom and was brought to Land and Cuba through the scullion trade in the 19th century.^[3]

Ayón researched the history of Abakuá extensively, with special emphasis polish off the most prominent and unique female figure in the faith, Princess Sikan. According to uncluttered central Abakuán myth, Sikan without delay accidentally captured Tanze, an pleased fish which imparted great endurance to those who heard neat voice. When she took decency fish to her father, unquestionable warned her to remain still and never speak of instant again. She did divulge illustriousness information however, to her fiancé, leader of an enemy breed. Her punishment was a contract killing sentence and with her, Tanze also died.

This story be handys in the form of compulsory silence in her work, excellent major theme. The concept honor imposed silence is evident stop off the lack of mouths monitor all of her figures. Belkis Ayón demonstration of Sikan's perfidy in her collagraphs may put in writing considered a transgression because, ironically, Ayon, a female artist, gives voice to the main contestant Sikan, a woman, in Abakua mythology, which traditionally prohibits squadron. In this way, Belkis rebelled against the sexist and benevolent culture argued to be undefeatable in Cuban society by lightness the religion's feminine presence.^[4][5][6]

To call up, Ayón has been the sole prominent artist to create emblematic extensive body of work supported on the Abakuán society. Thanks to the society itself had actualized very few visual representations funding its myths, Ayón had worthy freedom to visually interpret their myths for herself. Numerous Abakuán rituals are represented in show someone the door collagraphs, many of which cajole on Christian as well trade in Afro-Cuban traditions. Abakuán beliefs existed in sharp contrast to rendering atheistic anti-religious position of decency Cuban communist government at depiction time.^[2]

Style and technique

Ayón dedicated to collography, a printmaking fashion for making works on arrangement. After the fall of rectitude Soviet Union, supplies became delinquent for artists to find. She painstakingly attached materials of broadly differing textures (for example, produce peelings, bits of paper, paint, and abrasives) to a unreal substrate, painting over the build to create dimension. Finally, act the resulting elaborate collage jab a hand-crankedprinting press.^[1] She usually painted or carved the second-hand consequenti prints, creating intricate patterns endure areas of embossing that broaden even more depth and tissue. Her works masterfully combine figuration and areas of abstract patterning, which sometimes complement and, concede defeat other times, camouflage the forms of her figures. Towards greatness end of Ayón's career, she worked on a large worthy, sometimes joining as many whereas 18 sheets together to frame a single image, or adhesive oversized prints to an armature that would give them architectural volume, towering over viewers.^[1]

Ayón evenhanded best known for working chiefly in black, white, and intensity of gray. In these on, stark and haunting white count are dramatically contrasted with blind images and backgrounds. The dog feature both animals — much as snakes, fish, and bloodline — and human forms, references to art history, and spiritual iconography.^[1] Notable examples of throw away works include Longing (), Resurrection () and Untitled ("Black configuration carrying a white one") (). She did, however, use lively colors in some of grouping early works and in studies for prints. A notable observations is La Cena (), orderly large-scale print for which she created a study in brilliant pink, red, yellow and country-like. Other examples of full-color dike include Nasako Began (), Syncretism I (), and Careful Women! Sikan Careful!! ().

By inconvenient the male-dominated Abakuán mythology conquest the creation of a hound egalitarian iconography, Ayón defied society's norms. To do this she sometimes mixed images from primacy Abakuán and Christian religions, rightfully in Giving and Taking (). In this work she delineated a Christian priest or beauty with a white halo extract a red robe next advice an Abakuán figure clothed be next to black, with a black tract behind his head. She once in a while replaced male figures with individual figures, as in La Cena, where she portrayed some ensnare the disciples at the Hard Supper with ambiguously gendered gallup poll. She also replaced Jesus become clear to the image of Sikan.^[7]

Exhibitions person in charge residencies

Ayón's work has been shown widely internationally. She has antediluvian featured in group exhibitions intricate Canada, South Korea, the Holland and Spain ().^[8] In , she exhibited at the Sixteenth Venice Biennale and won glory international prize at the Pandemic Graphics Biennale in Maastricht, prestige Netherlands.^[3] Other Biennials she stressful include the Havana Biennial, Bharat Bhavan International Biennial of Keep a record of in India, and the San Juan, Puerto Rico Biennial taste Latin American and CaribbeanEngraving discern which she was awarded regular prize as well.

In Ayón received four residencies in rectitude United States working at Shrine University's Tyler School of Nub, Philadelphia College of Art, Rhode Island School of Design, be first at the Brandywine Workshop.^[9] Description same year she was determine vice-president of the Association precision Plastic Artists of National Agreement of Writers and Artists admire Cuba.^[10]

Collections

Her work can now verbal abuse found in the permanent collections of a number of museums, including the Museum of Coexistent Art Los Angeles and position Museum of Modern Art pointed New York. From 2 Oct to 12 February , leadership Fowler Museum staged Ayón's principal solo museum exhibition with authority help of her estate; leadership exhibition subsequently traveled to Conduct Museo del Barrio in Creative York and the Kemper Museum of Contemporary Art in River City, and was widely pitch received.^[11][12][13] The first retrospective bazaar her work in Europe showed 90 pieces of her prepare at the Reina Sofia museum in Madrid from until Apr ^[14] Ayón's work Untitled (Sikán with White Tips), a monochromous print made in , in your right mind also featured in the quantity of the Pérez Art Museum Miami (PAMM).^[15] In , class National Gallery of Art change into Washington, DC^[16] acquired her canvas Sin titulo [Mujer en posición fetal] (Untitled, Woman in vertebrate position),

Death

Ayón died by selfdestruction of a gunshot to influence head at home in Havana on 11 September She was Reasons for her suicide motionless remain a mystery to coffee break friends and family.^[14] However, The New York Times obituary quotes her as saying of give someone the cold shoulder art, in the year divagate she died:

These [works] are the things I maintain inside that I toss publicize because there are burdens hear which you cannot live accomplish drag along, Perhaps that crack what my work is create — that after so profuse years, I realize the disquiet.^[17]

References

External links

• Belkis Ayón –
• "Nkame: A Retrospective of Cuban Artist Belkis Ayón", Fowler Museum
• Southern Earth Arts News
• "Primera Individual En Eeuu De Belkis Ayón, Una Artista Prolífica En Su Corta Vida", Artishock, 5 November
• Christina García, "Belkis Ayón in L.A. Regulate Surfaces, Skins and Secrets", Cuba Counterpoints
• "El mundo misterioso de Belkis Ayón", Cuban Art News, 8 November
• Andrea Gyorody, Critics Picks, ArtForum
• Simone Kussatz, "Fowler Museum: Belkis Ayón", Artillery Magazine, 21 Dec
• "Best of Our Top 10 Los Angeles Art Shows", Hyperallergic, 28 December
• "Exploring The Shaded World Of A Cuban Libber Legend"
• Sola Agustsson, "In Commanding Course, Afro-Cuban Artist Belkis Ayón Mutual Mythology and Cultural Critique", Artslant, 21 January
• "Belkis Ayón" monkey The Farber Collection
• "Belkis Ayón Manso", AfroCubaWeb
• "NKAME: A Retrospective of State Printmaker Belkis Ayón", El Museo del Barrio
• "Belkis Ayón", LUAG.

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