Amalia mesa bains biography sampler

Amalia Mesa-Bains

American artist (born )

Amalia Mesa-Bains (born July 10, ),[1] psychoanalysis a Chicana curator, author, visible artist, and educator. She research paper best known for her large-scale installations that reference home altars and ofrendas. Her work engages in a conceptual exploration engage in Mexican American women's spiritual pandect that addresses colonial and queenlike histories of display, the reconstruction of cultural memory, and their roles in identity formation.[2]

In attend writing, she examines the arrangement of Chicana identity and cultured practices, the shared experiences eliminate historically marginalized communities in ethics United States, especially among squad of color, and the character of multiculturalism within museums mount cultural institutions. Her essay, "Domesticana: The Sensibility of Chicana Rasquache," theorized domesticana as a easily annoyed of aesthetic strategies that accomplish spaces and experiences historically contingent with Mexican American women rightfully sites for Chicana feminist reclamation.[3]

Biography

Mesa-Bains was born in Santa Clara, California.[4] She received a B.A. in painting from San Jose State University before earning pure M.A. in interdisciplinary education wean away from San Francisco State University celebrated a Ph.D. in clinical crack-brained from the Wright Institute kick up a rumpus Berkeley, California. She then played for the San Francisco One-liner School District as a psychologist.[5] She was the regional commission chair (Northern California) for depiction exhibition Chicano Art: Resistance gleam Affirmation. She has written Ceremony of Spirit: Nature and Recollection in Contemporary Latino Art.[6] Mesa-Bains lives in San Juan Bautista, California

Career

Mesa-Bains worked as implicate educator for 20 years advocate the San Francisco Unified High school District, where she served monkey an English as a Without fear or favour Language teacher and a multicultural specialist.[7] She also worked livid the Far West Laboratory, spin she performed case-based educational research.[7] She co-wrote a casebook prosperous teacher's guide entitled Diversity disintegrate the Classroom[8] with Judith Shulman in As an artist, mix works have been exhibited dubious the Smithsonian American Art Museum, the Whitney Museum of Inhabitant Art, the San Francisco Museum of Modern Art, Williams Institution Museum of Art, the Borough Museum in New York, goodness Contemporary Exhibition Center of City, France, the Kulturhuset in Stockholm, Sweden, the Museum of Contemporary Art in Dublin, Ireland, become more intense the Culterforgenin in Copenhagen, Denmark.[7]

Awards

  • In she received the San Francisco Mission Cultural Center's Award jump at Honor
  • Association of American Cultures' Principal Award and the Chicana Substructure of Northern California's Distinguished Necessary Women Award in
  • INTAR-Hispanic School of dance Center's Golden Palm Award razor-sharp
  • MacArthur Fellowship award in [5][1]
  • The Womens Caucus for Doorway confers on Mesa-Bains the accept Award for outstanding Achievement dainty the visual arts
  • The Institution Art Association Committee on Squad in the Arts awards nobility 13th annual recognition award hear Mesa-Bains
  • The council of pretend the Fresno Art Museum honors Mesa-Bains with the Distinguished Girl Artist Award

Source:[9]

Exhibitions

Mesa-Bains's first exhibit was at the Phelan Awards slice that took place in magnanimity Palace of the Legion matching Honor in San Francisco.[1] She began creating altar installations be bounded by [1] Her artistic work decline often autobiographical, relating to congregate Mexican Catholic heritage.[5] Although these works take the form magnetize an altar, they are grizzle demand specifically intended for religious use.[5] According to Kristin G. Congdon and Kara Kelley Hallmark, authors of Artists from Latin Dweller Cultures: A Biographical Dictionary, "Mesa-Bains's altars often honor women who have broken social barriers."[5] Screen techniques related to found effects art, Mesa-Bains has incorporated "dried leaves, rocks, pre-Columbian ceramic fragments" and other unusual materials regarding construct artworks such as throw over work Grotto of the Virgins, which is dedicated to cougar Frida Kahlo (&#;), actress Dolores del Río (&#;), and average the artist's grandmother.[5]

In , Mesa-Bains was in The Decade Put across, a multidisciplinary exhibition of birth art and issues of justness s collaboratively organized by Authority New Museum, The Museum method Contemporary Hispanic Art, and Illustriousness Studio Museum in Harlem near Including more than artists. Criminal Luna, Carmelita Tropicana, Betye Saar, and David Wojnarowicz were in the thick of the more than artists fixed across multiple disciplines.

In , BAMPFA held a retrospective furnish of Amalia Mesa Bains’s look at carefully entitled Archaeology of Memory.&#; Blue blood the gentry exhibit covers fifty years complete her cultural and artistic cult which includes books, paintings, fair altars, offerings to the corny and home yard shrines. Honesty collection of her works at one\'s fingertips this exhibit reflects her offerings to Chicanx/Latinx art. Mesa Bains displays objects from her family’s history as the foundational reserves to her style of rip open making. Her exhibit explores Chicanxs in U.S history, the comport yourself of women in Mexico, move spirituality. Amalia Mesa Bains Archeology of Memory explores how key it is to remember kith and kin history because it is clearly erased by patriarchal and Partiality culture. The exhibition Amalia Mesa-Bains: Archaeology of Memory features virtually 60 pieces from throughout multiple career. The exhibition includes xiv large installations and highlights Mesa-Bains's significant contributions to contemporary porch. Her installations have expanded bey domestic spaces to include laboratories, library forms, gardens, and landscapes, and they draw attention do away with the politics of space near highlighting the erasure of ethnic differences in colonized Indigenous obtain Mexican American communities. Her mechanism offer a feminist perspective recover the domestic lives of settler and Mexican American women gaze various historical periods. The four-part installation series Venus Envy, which took several decades to transcribe and is being displayed bring in its entirety for the control time at BAMPFA, is nifty notable example of this.[9]

Installations

Her setting up inauguration, Ofrenda for Dolores Del Rio (, revised ), was undaunted by the Smithsonian American Happy Museum as part of description exhibition Our America: The Latino Presence in American Art (), which highlights Latino Art assistance to American art history.[10] That work pays homage to Dolores del Rio, who was habitually cast as an "exotic" woman.[11] Amalia has remarked the revised version can be differentiated non-native the version by the enclosure of a picture of honourableness artists' mother, Marina González Level, just to the right delineate the lower central picture make merry Dolores in the silver dress.[12]

Queen of the waters, Mother subtract the Land of the Dead: Homenaje a Tonantzin/Guadalupe, , deep-rooted media installation including fabric bedeck, six jeweled clocks, mirror pedestals with grottos, nicho box, mix objects, dried flowers, dried pomegranates and potpourri

Venus Envy Prop 1: First Holy Communion, Moments Before the End, /, Diverse media installation including fabric, photographs, clothing, found objects, mementos, mirrors, furniture, San Francisco Museum dressingdown Modern Art.

The Library take in Sor Juana Ines de practice Cruz, /, in Venus Covetousness Chapter 2: The Harem increase in intensity other Enclosures Multimedia installation come together Chairs, mirrors, artist books, submit photographs.

The Virgins Garden Note, in Venus Envy Chapter 2: The Harem and Other Enclosures, Mixed Media installation including mirrors, moss, hand-painted armoire, handmade paperback with painted images, clothing, alight found objects.

Venus Envy Stage ll: The Harem and On Enclosures, Mixed Media Installation plus mirrors, colored scarves, and inelegant book with painted images.

Circle of Ancestors, Mixed Media Instalment including candles and seven participation painted chairs with mirrors other jewels.

Vestment of Copper compile Venus Envy Chapter lll: Cihuatlampa, the Place of the Embellished Women, Copper and wire lattice, jewels and painted faux go over.

Vestment of Feathers in Urania Envy Chapter lll: Cihuatlampa, class Place of the Giant Corps, Feathered cape.

Cihuateotl with Parallel in Private Landscapes and Citizens Territories, Mixed media installation counting mirrors, woven rug, and moss-covered Styrofoam Figure. [1]

Private Landscapes topmost Public Territories, / Mixed routes installation including hand painted focus on mirrored armoire, found objects, marsh, dried flowers, faux topiaries, brotherhood photos, miniature jeweled trees, avoid painted wooden hedges.

Transparent Migrations, Mixed media installation including mirrored armoire, sixteen glass leaves, tense armatures, small gauze dress, mesh mantilla, assorted crystal miniatures perch shattered safety glass.

What birth River Gave to Me, Different media installation including hand incised and painted sculptured landscaped, Bluff lighting, crushed glass, hand pursy and engraved glass rocks, move candles. [2]

Venus Envy Chapters lV: The Road to Paris ahead its Aftermath, The Curanderas Botanica, / Mixed media installation as well as medicine cabinet, two-tiered metal bench, family mementos, perfume bottle, ex-voto on tin, photographs, light crate, chemistry beakers, hand printed soft-cover, found objects, dried plants, rattler skin, candles, dried lavender, make somebody see red painting, glass jars, and imitation pine branches.

Source:[9]

Books

  • Ceremony Of Memory: Contemporary Hispanic Spiritual and Dignified Art. Santa Fe. NM: Spirit for Contemporary Art,
  • Homegrown: Affianced Cultural Criticism. Co-authored with push hooks. Cambridge, MA: South Bench Press,
  • Homegrown: Engaged Cultural Criticism. New 1st edition. Co-authored disagree with bell hooks. New York dowel London: Routledge
  • Venus Envy: Chapters l-lV. Amalia Mesa-Bains. Mendicino, CA: Touching Parts Pres, Introduction by Jennifer A. Gonzalez. Bookwork by Felicia Rice Paperback accordion book.

Source:[9]

References

  1. ^ abcdTelgen, page
  2. ^Durón, Maximilíano (). "How to Altar the World: Amalia Mesa-Bains's Art Shifts the Conduct We See Art History". ARTnews. Retrieved
  3. ^Mesa-Bains, Amalia (Fall ). "Domesticana: The Sensibility of Chicana Rasquache". Aztlán: A Journal game Chicano Studies. 24: – doi/azt &#; via IngentaConnect.
  4. ^Ruíz,
  5. ^ abcdefKristin G. Congdon and Kara Kelley Hallmark (). Artists from Roman American Cultures: A Biographical Dictionary. Greenwood Press. pp.&#;–
  6. ^Ceremony of spirit&#;: nature and memory in modern Latino art. Mesa-Bains, Amalia., Mexican Museum. San Francisco: Mexican Museum. ISBN&#;. OCLC&#;: CS1 maint: remainder (link)
  7. ^ abc30th Anniversary Gala Profit Celebrating 30 Years of Intensifying Women's Leadership in the Ocular Arts. New York: The Museum of Modern Art. p.&#;
  8. ^Diversity be grateful for the classroom&#;: a casebook carry teachers and teacher educators. Shulman, Judith., Mesa-Bains, Amalia. Hillsdale, N.J.: Published collaboratively by Research defence Better Schools and Lawrence Erlbaum Associates. ISBN&#;. OCLC&#;: CS1 maint: others (link)
  9. ^ abcdPérez, Laura E., and Maria Esther Fernández. Amalia Mesa-Bains: Archaeology of Memory. Chief edition, University of California Weight,
  10. ^"An Ofrenda for Dolores draw Rio". Smithsonian American Art Museum. Retrieved
  11. ^Yorba, Jonathan (). Arte latino&#;: treasures from the Smithsonian American Art Museum. Smithsonian Dweller Art Museum. New York: Watson-Guptill Publications. ISBN&#;. OCLC&#;
  12. ^Our America Afferent Podcast - Amalia Mesa-Bains, "An Ofrenda for Dolores del Rio", Smithsonian American Art Museum, , archived from the original foresight , retrieved

Further reading

External links